Scene Questions

We all can probably remember a particularly vivid and effective scene from a great story. The unmasking scene in Junot Díaz’s story “Ysrael.” The riot scene in Dagoberto Gilb’s book The Flowers. The opening scene in Mary Karr’s Liars’ Club. The death of Father in Peter Rock’s My Abandonment. Most scenes by Antonya Nelson. The ending of The Grapes of Wrath. Shakespeare’s classic Nunnery Scene. Haven’t we all thought—if I could write a scene like that, it would be a truly spectacular scene.
We came up with some questions to keep in mind as you write, and you can probably think of a lot more.
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  • What is the story genre in which this scene will take place?
  • What defines the story world in which the scene dwells?
  • What are the writer’s rules for the story world? Continue reading

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Group Writing Critique: BABY KILLER by Laurel Leigh

It’s dogfight time. Laurel Leigh’s BABY KILLER is a memoir about a splintered family grappling with questions about a young man’s guilt or innocence. Getting ready to revise the full manuscript, Laurel has asked us to examine the opening—here’s an excerpt. Dogpatch Writers Collective occasionally posts these excerpts of our group critiques of work in progress, and your comments are welcomed.

From Baby Killer

Anthony Shaw Arrest Picture

Nursey tells me everything she’s learned: Baby Alex had been beaten before. He visibly showed signs of abuse according to the emergency-room doctors. It’s unclear how Alison was or wasn’t involved in abusing him. On the evening of his death, the baby woke up and threw up and peed on Anthony. Nursey isn’t sure whether the vomit provoked the crucial beating or whether it was an aftermath. Anthony and Alison took the baby to the hospital hours later when they realized something was wrong with him.

“An investigator called me,” Nursey tells me.

“You talked to an investigator?”

“She wanted to know what people, you know in the family, had said about Anthony. I told her, ‘I’ll help you but I don’t know everything.’ So I guess I’m working for the prosecution if anything, nailing the coffin in the head.”

At another time my sister’s off way of describing things would make me smile and want to hug her.

Read a longer excerpt at: http://www.laurelleighwriter.com/publications/baby-killer/

   
Comments from the Dogpatch: Continue reading

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Potty Head

Hello from Bellingham WA on this windy evening. Which brings me to my topic—not the wind but the worry.

If worrying were an Olympic sport, I’d be caption of the U.S. team. If I listed everything I worry about, this blog would get far longer than Rapunzel’s hair, it would take up too much space, and WordPress might crash. That’s how much I worry. Enough to potentially crash WordPress and make me worry about the poor guy named Ted or something, who has to get up in the middle of the night and fix it. Sorry, Ted.

My itty bitty house is surrounded by 100-foot trees, and when the wind blows through the willows (okay, pine trees), I worry one or more trees will fall on my house. Or on my car. Or on me.

I have CSI-like evidence of the potential for this calamity. Continue reading

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Group Writing Critique: “Abandon Hope” by Jilanne Hoffmann

Welcome to the dogfight! Here’s a snippet from a short story by Jilanne Hoffmann, followed by critical comments. Dogpatch Writers Collective occasionally posts these excerpts of our group critiques of work in progress, and your comments are welcomed!
  • From “Abandon Hope”

I flip through the pages until I find the map of hell I’d been trying to draw. I trace the outer circle that says “Limbo” with my finger and then spiral through the circles until I reach the Circle of the Violent and remember Henry memorizing, “But now look down the valley. Coming closer you will see the river of blood that boils the souls of those who through their violence injured others.” I look up quickly to see if Henry is sitting in a dark corner of the basement waiting to jump out and scare me, but he isn’t. I haven’t seen Henry for two days, and I’m ready for this game to be over. Maybe if I just sit and wait he’ll surprise me. So I slam the book shut, squint my eyes real tight and sit there, trying not to breathe. Then I turn off the lights and stare up at the constellations. In the dark I can pretend he’s right here with me.
  • Comments from the Dogpatch:

Dear Jill: This story is sick! You’ve created a truly tragic scenario in this story, made more so by the restraint with which it is told and by the narrator’s own lack of understanding of the true implications of her own innocent actions. Pile on that her mother is completely shattered by her own historical grief and unaware of who her daughter is, and this is a story that sticks with a reader long after the pages have been put down. You do an amazing job of allowing the reader to correctly intuit what the narrator herself doesn’t know, and that makes the heartbreaking effect of the story even stronger. Nicely done! I hate you! Continue reading

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Inspiring Blog Award Nomination

The Dogpatch Writers Collective was honored to receive a nomination for an Inspiring Blog Award from blogger and history consultant Marsha Lee of Streaming Thoughts. Thank you, Marsha Lee! There are so many great blogs happening now, and it’s wonderful to know our blog is inspiring to readers.

Read what Marsha Lee had to say about the Dogpatch Writers Collective and check out her site while you’re there:  http://tchistorygal.wordpress.com/2012/06/29/inspiring-blog-award/

Sincere thanks to all of you who follow the Dogpatch Writers Collective. We’re very pleased to be part of a vibrant creative community.

Here are a couple other writing-related blogs to check out and we hope you will let us know about more.

  • Andrea Hurst & Associates publishes a group blog by West-based literary agents focused on the business of publishing as well as writing craft.
  • Robert Steven Williams has been blogging so long you might have a birthday while scrolling through his site. He’s a singer/song writer/story writer who opines on both story craft and current events.

Woof!

Jilanne, Wes, David & Laurel Leigh

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Group Writing Critique: “National Pastime” by Wes Pierce

Welcome to the dogfight! Here’s a snippet from a short story by Wes Pierce, followed by critical comments. Dogpatch Writers Collective occasionally posts these excerpts of our group critiques of work in progress, and your comments are welcomed!
From “National Pastime”

They sit in their usual seats. Tony has season tickets on the front row of the first balcony, right alongside third base. ‘Best seats in the house,’ according to Tony. Her husband makes a lot of money, so he can afford the best seats in the house. But for Beryl they are not the best seats in the house, they’re the worst: she is afraid of heights. 

Tony knows this. ‘We’re only twenty feet up. Thirty, tops,’ he says, whenever she brings up her fear of heights. ‘What’s twenty or thirty feet?’ 

‘But couldn’t we sit just a few rows back?’ she says. ‘Couldn’t we sit lower down?’ 

‘I don’t want to sit a few rows back. I don’t want to sit lower down,’ Tony says. ‘You can’t take in the whole field lower down. I want to sit right here.’ 

Tony says she only has to be logical about it. 

‘You’re not going to fall, if that’s what you’re worried about,’ he says. ‘And besides, we’re only twenty feet up. Thirty, tops. So even if you did fall, you’re not really going to get hurt, you know. Not if you keep your head. If you were to fall from up here, but you kept your head, you’d be all right. Oh, you might break a leg or an arm. But you wouldn’t die or anything.’

Comments from the Dogpatch:

Wes,

You’ve got a harrowing story and a parent’s nightmare—being seated next to an obnoxious drunk at some “family” event they’re attending with their child. They don’t want to leave the seats they’ve paid good money for. They don’t want to make a scene. They want to make nice while maintaining  a psychic distance from the annoying ass and hope that nothing gets out of hand. Until it does. Continue reading

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Beauty and the Brain

Dear Writers,

You may be familiar with the Marilyn Monroe–Albert Einstein illusion that operates on the peculiarities of our vision system. Up close, where we perceive detail, the image looks like the great thinker Albert Einstein, but back away a few feet and our eyes will naturally adjust to a less-detailed rendering, allowing the features to resemble the stunning actress Marilyn Monroe. I think both perspectives as well as the distance at which our eyes struggle to decide who we’re seeing is interesting to a writer working to craft character.

Of course, how to describe characters when introducing them to the reader poses one challenge for writers. As emerging writers, at some point we all likely included some awkwardness in that initial description, perhaps including the unfortunate moment when the protagonist surveys herself/himself/itself in a hand mirror/shop window/pond and thoughtfully regards her/his/its own long blonde curls/spiky brown hair/man-killing tentacles. An author like the Franklin W. Dixon ghost troupe just puts it out there, letting us know by page 2 of The Secret Agent on Flight 101 that Joe Hardy is “blond and seventeen,” “enjoys joking,” and is “more impulsive” than his “dark-haird, eighteen-year-old brother.” Oh yeah, both ace teen detectives are “trim all-around athletes,” too. Continue reading

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Group Writing Critique: “No Vacancy” by Laurel Leigh

Welcome to the dogfight! Here’s a snippet from a short story by Laurel Leigh, followed by critical comments. If you want some context for this excerpt, you can read another story of hers, “Shoeless,” published in The Sun, in which the character Ralph appears. Dogpatch Writers Collective occasionally posts these excerpts of our group critiques of work in progress, and your comments are welcomed!

From “No Vacancy”

Ralph took a key off his belt ring, meaning to hand it to the guy. He’d been getting more used to them, but the floaters in his eye suddenly turned into lightning streaks and zoomed across the edge of his vision. He dropped the key, fumbled to pick it up. Then he stood blinking, feeling dizzy after the guy took the key and walked away. His eye hurt like hell. He rubbed the spot just below his eyebrow. He lit a Doral and took several long puffs. Back in his office, he swallowed aspirin and squirted eye drops in both eyes. Then he locked the office door, went into his back room and stretched out on the pullout bed. The aspirin started to kick in, but he still felt shaky and sick to his stomach. And tired—of everything. Of the pain in his eyes. Of worrying about it. Of guys like the one just now. Who made him feel even smaller than he felt most of the time. And those types of guy always got women by half trying, whereas Ralph was lucky to cop a feel once in a blue friggin’ moon. And a guy wanted more than that, you know? Someone to spend a night with, or even talk to. And, he was tired of waiting. One day, his uncle would have to retire and the motel operation would belong to Ralph, or so he hoped. But that day was a long ways off.
 
Comments from the Dogpatch:

Laurel, Love, love, love this story! It stands on its own, and fits almost seamlessly with “Shoeless,” the story published in The Sun. In this story, we’re looking at a man who longs to have something more in his life, to feel like part of a community instead of an outsider and to be with a woman he cares about, but he can’t quite figure out how to make these things happen. He can’t even make a doctor’s appointment or manage a small hotel. He’s so lost in his vague dreams, in the tiny aspects of his life that are beyond his management capabilities, that he’s only capable of taking action when desperate. And even then, his action is really inaction. What he ends up asking for (and paying for) lies far below what he truly desires. A heartbreaking story. You noted that you were struggling with the ending, and I’d have to say that I think the first ending is far superior to the alternate. But I would suggest that you cut the first ending slightly at the parts where you provide a little too much internal dialogue, Continue reading

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Hey there Dogpatchers, Laurel posted a little snippet from the seminar she taught at Chuckanut Writers Conference on her blog. Thought you all might be interested in taking a look at how screenwriting tools can be applied to other genres. Laurel rocks!

Laurel Leigh's avatarDear Writers

Dear Writers,
I was delighted to again serve on the faculty of the Chuckanut Writers Conference last week in Western Washington. Here’s a snippet from a session I taught on how writers can draw from film storyboarding concepts to create a text-driven version of a storyboard. In this moment, the discussion centered on the three-act structure paradigm.

Let’s turn to our friends the screenplay writers for a moment. It’s some of their tools that we are borrowing and modifying to make our stories. Looking at conventional film structure is useful in gaining a better understanding of story action and plot points.

The conventional three-act structure looks like this:

In Act I, is the setup. The character(s), the action of the story, the problem or question of the story is established.

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Here’s what Laurel’s been up to in the Pacific Northwest. Maybe she’ll give us the low down on how the 2nd Annual Chuckanut Writers Conference in Bellingham, WA, went last weekend.

Laurel Leigh's avatarDear Writers

Dear Writers,

We got mobbed by the geezer gang at open mic! Here’s who was there and what they read:

Her astrologer determined that CJ Prince would write about sex and death, so no surprise that she launched the night with pieces titled “One Night Stand,” “Hot,” and “Vanity.” After we broke for cold showers, Carol Hunter resumed with a very moving piece on the fallout of the drug war in Mexico. Dianne Meyer shared a beautiful and humorous tribute to a writing friend, “Ethel, When Last Seen.” Vince Laudi offered two protest pieces—”The Gun Lobbyist” and “Our God is Better than Your God”—along with “Coal Train,” a spoken song in search of a melody. Janet Oakley beautifully read “Technicolor Dreams,” published in the anthology A Cup of Comfort for Women.

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