Hey there Dogpatchers, Laurel posted a little snippet from the seminar she taught at Chuckanut Writers Conference on her blog. Thought you all might be interested in taking a look at how screenwriting tools can be applied to other genres. Laurel rocks!

Dear Writers

Dear Writers,
I was delighted to again serve on the faculty of the Chuckanut Writers Conference last week in Western Washington. Here’s a snippet from a session I taught on how writers can draw from film storyboarding concepts to create a text-driven version of a storyboard. In this moment, the discussion centered on the three-act structure paradigm.

Let’s turn to our friends the screenplay writers for a moment. It’s some of their tools that we are borrowing and modifying to make our stories. Looking at conventional film structure is useful in gaining a better understanding of story action and plot points.

The conventional three-act structure looks like this:

In Act I, is the setup. The character(s), the action of the story, the problem or question of the story is established.

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  1. Pingback: Plot Structure: Three-Acts or Pier & Bridge « M. Q. Allen

  2. Pingback: Should Novels Read Like Movies?

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