I’ve been reading Fiction Fan’s book review blog for quite some time, but a recent post piqued my curiosity about why she found a particular novel wanting. For those only interested in writing “literary fiction,” I believe the discussion here is instructive for all writers despite the genre.
I asked in my comment:
Since it didn’t work this time (sounds like the subplots detracted from the tension), I’m curious to hear about when you think it does work for a book to reveal the “what” or “who” and then discover the “why” or “how” throughout the rest? Would it have worked without the subplots/length? Are there other flaws (you mentioned implausibility, but sometimes a little of that can be overlooked if the rest of the book receive high marks, yes?) that kept it from being engrossing? I’ve been thinking a lot about this lately since I’m struggling with this issue in my own work.
Her response, as I should have expected, was insightful: Continue reading