You know that thing about not putting characters by themselves too often because then it’s harder to have an antag in that protag v. antag equation?
Yeah, that’s not what this is really about, but I was thinking about how people always say that. Don’t put that character in that room by themself unless there’s a Bengal tiger in there for them to tame. That would be cool, having a friend who’s a Bengal tiger, but in the wild, where it could run free and maybe bring you a present of a fish now and then since there probably isn’t a Safeway.
Then there’s that thing about wanting to know more about the mother, or knowing too much about the mother. If it’s my mother, then god love her, you would have a dilemma, or I would have the dilemma, not to project this onto you. The point is that you could talk to her for a while and you’d know a lot about her but you wouldn’t really know anything about her. Interesting to try to capture that on the page. That’s also not really what this is about.
Or that one about how good fiction should read like it’s true. That’s always been a harder one for me to get my head around. I can be gullible, but I knew that Lilliput was a made-up place. And Tom and Becky in the cave? Come on! But there are those stories where we think, yeah, that could be true. I never related that question of the reader wondering about true-ness or lie-ness to my own work so much until I recited part of a story I wrote at an open mic. The story’s about this kid who’s trying to earn money to visit her dead mother’s grave site. She’s afraid of this mysterious guy in town, and she can bake. I know, good luck with that.
Anyway, at this open mic, my recitation went well, and despite being slightly older than my character, I successfully projected eleven-ish and people were touched. Afterward, this woman said how much she liked the story, and that she was from Minnesota and familiar with the setting. Cool. Then she asked if the story was true.
“Oh, no,” I said. “It’s made up.”
Her face fell. If I was writing this into a story, I’d write it that way without embellishment: Her face fell. She looked seriously disappointed, like she wanted to take back everything good she said about the story. Continue reading