Tag Archives: writing

Waiting for Robin Hood

While I ponder the nature of time, taking the time to find the right word, create the right sentence, and place those right sentences in order until I have a piece that “works”—I am filled with a sense of dread as challenges to write 12 books in 12 months or to write a novel in a month pop up online like prairie dogs. Now I’m not slamming those particular endeavors, no siree. Anyone who can put out that many words deserves respect for their hard work.

And yes, it does light the fire of urgency under writers who are sitting on their thumbs. It gets their hands out from under their butt cheeks and on the keyboard or wrapped around a pen, putting words on the page. But let’s now talk about a little thing like QUALITY. Continue reading

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The Grapes of Mocking

I had to re-blog this from 101books.net. It is just too hilarious. Thank you, Robert!

Steinbeck Mocks the Publishing Process

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Composting 101

Symptoms Problem Solutions
Story has unpleasant odor. Not enough air due to overwrought word choice or compaction.

If there is an odor of ammonia, too much pure crap is standing in the way of the real story.

Strip the pile of its dense, soggy materials and replace with crisp, crackling prose to soak up excess bulls#!t.

Turn the pile, add fresh material, and move narrative elements around to aerate.

Cover pile (put in drawer to rest) until inclement weather subsides.

Story is rich and warm only in the center. Failure to build heat/tension. Pile is too small. Narrative elements are missing.

Insufficient conflict.

Not enough air. See first symptom.

Lack of nitrogen. Rich material is superficial. Go deeper.

Make pile bigger. Identify missing narrative elements.

Add water by sticking a garden hose into the center in several locations.

Turn the pile to aerate narrative elements.

Mix in nitrogen, otherwise known as conflict.

Add or remove backstory.

Toss and start over!!!!

Story temperature exceeds 160°F. Not enough air, lack of carbon, prose is turning purple. Turn the pile to aerate.

Mix in 2 parts Hemingway for every one part bad Faulkner.

Large, undecomposed items remain in the story even after considerable time has passed. Ya got some clunkers there. Read to friends and remove sections that make them grimace.

Shred clunkers before adding new material.

In the middle of the night, rodents, coyotes, and raccoons lurk in the shadows near the story, waiting for a chance to raid the juicy bits. Your prose is attracting aggressive nocturnal elements. This is usually a sign that the writing is going well. Animal-proof your work area only if this bothers you.

 

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Reading to Write

Where have you been all my life? I don’t know how I missed you as I was wandering my way through my MFA. I don’t know why no one talked about you, not a teacher, a fellow student, or my next door neighbor. I once was lost, was blind, but now I’m found. Hallelujah! Continue reading

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Comma Comma Comma Comma Comma Chameleon

Everyone should take a look at the NYTimes May 21, 2012, Opinionator column on commas. It never hurts to refresh your knowledge of grammar rules–and then break them.

The Most Comma Mistakes by Ben Yagoda

Happy Splicing!

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Maker Faire Revelation

Now, you wouldn’t think that attending a Maker Faire presentation on the world’s longest paper airplane flight would have anything to do with writing. But, surprisingly, it does. Continue reading

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Coffee Shop Writer

 Dear Writers,

Why do we write in coffee shops?

We come, us collective writers, expending time, probably gas, cash for high-priced drinks. We set up our tools of trade at little tables with uncomfortable chairs. We cringe when other patrons talk too loudly, laugh too loudly, or, god forbid!, talk to us. We peck away at our tablets under the too-dim/too-bright lights in the too-hot/too-cold room. I don’t really think I write better to “Pink Moon.” Continue reading

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Noir Characterization

Although David Brooks is targeting his advice to young do-gooders in his column linked below, he does an excellent job of analyzing “noir literature heroes”  in the second half. Definitely worth a read.

Sam Spade at Starbucks

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Sentence Alert!

I love it when a sentence takes you down unexpected paths past unexpected places:

“…I let myself sink into poverty, in a manner that was deliberate, rigorous and not altogether devoid of elegance.” from Monsieur Pain by Roberto Bolano, translated by Chris Andrews

Why is this sentence effective? When I think of characters falling into poverty, it usually isn’t self-inflicted (at least not with purposeful intent), and it usually isn’t done with rigor or elegance. There’s so much here that’s out of the norm, it makes the character intensely interesting. I want to know more.

Very effective. Now, back to our regularly scheduled program…

 

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Scavenging for Fuel

What fuels my writing process—aside from caffeine and chocolate? Sometimes I’m tempted to turn to books that are far too familiar or similar to what I’m writing. (And sometimes that is just what my process needs.) But I am often better served by books (or other media) that are “foreign” to me in some way. Whether it’s poetry, essays, science writing, or other nonfiction, books written by authors from another culture or country, new music, or art galleries, I think exploration “shakes things up,” allowing the unexpected to percolate through my subconscious and enrich my work.

For example, this past month or two, I’ve read (or have read portions of) the following: Continue reading

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