Dogfight: “A Work in Progress” by Wes Pierce

White Raven (source: photobucket)

Hello from the Dogpatch, and welcome to the dogfight! Here’s a selection from a short story by Wes Pierce, followed by critical comments. Dogpatch Writers Collective occasionally posts these excerpts of our group critiques of work in progress, and we’d love to know what you think about the excerpt or what we had to say about it. 
This story isn’t titled yet. Wes called it “A Work in Progress.” To give you some context, a feckless ranger is assigned to lead a busload of work-release inmates to build fire breaks during the Great Western Fires: 

This was when Shoehorn took over. Never in my life had I seen a man handle an instrument the way Shoehorn did an ax, nor take such joy in physical mastery over an object. He would set his initial cut on a downward slope, one clear ringing thwak! burying the head of the ax right up to the handle. With a booted foot he pushed to dislodge the ax-head from the tree; then another thwak! at an upward angle, lower down from the first and right up to the handle again. Finally a third and a fourth stroke to the topmost angle — then a fifth and sixth, maybe a seventh, to the bottommost — and out plopped a hunk of tree the size and shape of a large slice of watermelon. He would do the same to the other side of the trunk, lower down: seldom more than two or three dozen strokes total and the heart of the tree lay exposed and vulnerable. You almost could have pushed the tree down with a good shove of your boot.

Shoehorn was taking down trees twice as fast as any of the rest of us. He was like a machine. Looking again at those arms of his — it seemed now to me that they ended in massive knuckled appendages, hard and shiny from usage, like hooves — made me think of the hydraulic machinery in those old black-and-white movies based in newspaper offices, with their shots of the giant presses churning out the next day’s breaking news in those swirling montages.

 And so while the rest of us dug trenches or paired off and went to work with the whipsaws, Shoehorn struck out on his own, taking down the smaller and medium-sized trees in a more or less straight line several hundred feet ahead of us. Since there wasn’t always enough equipment to go around now, there were times when each of us got to rest; which was fine, I guess. But I didn’t feel much like sitting back and watching, for it always had been my unhappy lot in life to sit by and look on, with envy or disbelief, at those guys who knew how to accomplish things with their hands. On a branch above me a squirrel watched too, a small pine cone paused ruminatively before its mouth, while all around us men busily went about their business. Just about my whole life it seemed I had been unwilling poster child for the inadequacies of a Liberal Arts education. I could only stand aside as other guys fixed their own cars, or impressed the girls in our dorm by rewiring a broken washing machine so those luscious young honeys could wash their delicately-soiled underthings, while I watched my t-shirts and jeans and white cotton briefs roll and tumble impotently in a dryer nearby.  Continue reading

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Hot Gravatars

gravatar-change-thumbHello from the Dogpatch!

I am in love with Gravatars. I love seeing how everyone has designed their gravatar—one a smiling face of a hardworking blogger, one a favorite pic that holds meaning, another a classy and colorful branding for a themed blog.

Not that I’m the first to notice, but there’s something really cool about the way they make unique art when lined up in a sidebar. I love seeing the different colors and images randomly lined up and noticing when a blogger with whom I’m familiar has changed up his or her gravatar. Continue reading

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7 Parenting Lessons From Literature

Hello from the Dogpatch,

Here’s a parenting lesson from 101 Books to which we at the Dogpatch bow down. Major Woofs for this post!

Robert's avatar101 Books

Parenting is hard work. I know that’s a cliche, but it’s a well-earned cliche.

Kids are pretty awesome, and they can even teach you a thing or two about reading, but they also have their moments. That’s why, if you want to be a parent, it’s important to make sure you are not a mental whack job.

Mental whack jobs who are parents usually produce kids who eventually become mental whack jobs themselves. This is not good.

Since fiction is often just a mirror of reality, there’s a lot to learn from literary parents, both good and whack jobbish.

Quite a bit, actually. Let’s take at some parenting tips I put together based on lessons I’ve learned from literary parents.

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True Words from Chinua Achebe

“…mediocrity destroys the very fabric of a country as surely as a war — ushering in all sorts of banality, ineptitude, corruption and debauchery,” wrote Achebe…

This observation rings true for all societies, not just Nigeria. It’s one that all writers, all artists, all workers should take to heart. Be wary of “good enough.” Be wary of those who disparage learning. Strive for perfection. Although you will never reach that goal, your work will be far better for the struggle. Rest in peace, Mr. Achebe. You have earned it.

File:ThingsFallApart.jpg
Read more: http://www.sfgate.com/news/article/Chinua-Achebe-celebrated-Nigerian-novelist-dies-4376128.php#ixzz2OIH3Y54G

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Putting the Egg Together – Writing Picture Books

The fallacy: “Writing children’s picture books should be as easy as, well, cracking an egg from a long drop.”

This fallacy shares a bed with: “It’s only a few hundred words. I can crank that out in my sleep.”

And there’s another hiding under the covers: “I read picture books when I was a kid, and I’ve read them to kids. That makes me an expert.”

Makes for a pretty crowded bed, eh?

Shortly after stripping the bed and exposing these thoughts to the world, writers begin to mutter, “I didn’t know it would be this difficult.” Continue reading

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Collection of Cool

Hello from the Dogpatch!

Noticing a comment online about rereading and rewatching favorite stories, put me in mind of my all-time favorite author appearances caught on video. I’ve watched these clips numerous times and am excited, amused, moved, and inspired at each viewing. I hope you enjoy!

Dagoberto Gilb

Dagoberto Gilb

“Stupid America”: PEN/Hemingway Award winner Dagoberto Gilb speaking and reading at Librotraficante Caravan Tucson AZ:

http://www.youtube.com/watch?v=1lFKk1AuJF4

CoverDrOlafAwesome dramatic readings: A group of actors performing brief text from various works of fiction, including the opening of Dr. Olaf van Schuler’s Brain by Kirsten Menger-Anderson, from Sally Shore’s The New Short Fiction Series:

http://www.youtube.com/watch?v=KTrQ7-Egqcc

A true classic: Steve Almond on “Africa” by Toto at Tin House Magazine’s 10th Anniversary celebration:

http://www.youtube.com/watch?v=d3fxkhWZbx0

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Steve Almond

You can read Steve’s “Why I Write Smut: A Manifesto” from his latest set of six tiny and gorgeous books called Writs of Passion.

Junot Diaz

Junot Díaz

Wisdom for us all: Pulitzer Prize winner Junot Díaz díscussing his process at the 2009 National Book Festival:

http://www.youtube.com/watch?v=9Gu91htmDpM

Happy writing,

XO Laurel Leigh

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Write with Respect

Good morning from the Dogpatch, and fair warning: Only read this fabulous and hilarious post from Limebird Writers if you A) Love Kid Writers and B) Are Not Overly Offended by Poo.

limebirdkate's avatarLimebird Writers

I teach creative writing to children as part of an after-school enrichment program. One child, let’s call him Burt, is a bit obsessed with bodily functions. Burt wrote a story entitled, “The Battle of Pooey Land.”

Okay.

As a teacher, I try to pull out the story that’s buried deep beneath all the references to ‘poo’. I know kids must explore this part of life, and some get into it to the point they must write about it. As long as there’s a plot going on, a story that comes full circle, then I can ignore the gory detail.

However, I have my limits.

Burt used a fellow writing student (who’s also his so-called friend) as a character in his story. He did not change his friend’s name in the story, but I’ll refer to the friend as Ernie.

Burt wrote a scene where Ernie was captured by a band…

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Students of the essay take note: the above post from Café Casey is a lovely take on the learning process, whether it is painting, composing, or writing. Owning and then transforming “influence.”

cafecasey's avatarCafé Casey

Screen Shot 2013-02-15 at 5.53.48 AMI was looking at a picture of bamboo. I love bamboo. I have spent so many hours painting it. In my sumi-e practice, I have painted a million bamboo plants. In the beginning, I thought this was insane repetition. In Western schools you don’t sit and write the letter “e” a million times. Maybe that’s why I always flunked handwriting.

I used to sit and work on the same image or same kanji hundreds of times. Eventually, I learned, it was all the same. To create an image a thousand times is to create it once. Bamboo, chrysanthemum, a cherry blossom–whatever. The goal is to reach perfection. The reality is that perfection doesn’t exist. The perfection is, in fact, in imperfection. Sometimes, our drive to be perfect consumes us. We suffer. Practicing these arts teaches us eventually that the learning–the experience–is in the journey–perfection is just a destination to imagine…

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Fat Prose

In his excellent book on the craft of writing (On Writing), Stephen King presents a diatribe against the unnecessary use of adverbs. He wasn’t as hard on adjectives and I think he should have been. Both are modifiers, which are words and phrases that weaken or even uglifiy what otherwise might be good writing, by adding layers of fat to what was elegant prose. This is certainly not new thinking, yet, lately the use of the word, “so” has grown exponentially as a modifier of the phrase, “Thank You.” It’s no longer adequate to express one’s gratitude to another for anything by simply saying, “thanks,” “thank you,” or even “thank you very much.” It’s come to be expected that a complete “thank you” includes the phrase, “so much,” as in “Thank you, so much.”

On the page the word, “so,” appears innocuous, particularly since it consists of but two letters, but recently it has invaded and cheapened the phrase, “Thank you.” I suspect that “so” initially entered the lexicon as a way to enhance “Thank you,” and/or to take the place of the word “very.”

Part of what bothers me is how much equals “so much?” Is it measured as a percentage of the original Thank you? That would be difficult to quantify, but perhaps not as much, because that original thanks refers to an action done by someone else that engendered the original thanks. Now the word, “so” has become overused to the point where it no longer enhances the original Thank you. And modifying our prose rarely strengthens the text; instead the writer feels the need for a crutch and the result is weakened writing.

Thank you for reading this.

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Waiting for Robin Hood

While I ponder the nature of time, taking the time to find the right word, create the right sentence, and place those right sentences in order until I have a piece that “works”—I am filled with a sense of dread as challenges to write 12 books in 12 months or to write a novel in a month pop up online like prairie dogs. Now I’m not slamming those particular endeavors, no siree. Anyone who can put out that many words deserves respect for their hard work.

And yes, it does light the fire of urgency under writers who are sitting on their thumbs. It gets their hands out from under their butt cheeks and on the keyboard or wrapped around a pen, putting words on the page. But let’s now talk about a little thing like QUALITY. Continue reading

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